Bringing self-identifying women into dialogue, providing the inspiration and tools to spark change.
By Abigail Smith
As the summer rolls on, I’ve started to think about my place in life. Maybe this is a symptom of being a recent graduate, and seeing how young all the freshers are (is it cool to be 21?)
More likely, it’s because I’m entering a strange limbo — to quote Blazin’ Squad, at the crossroads. I have just graduated, but will be returning in October as a post-grad student to the same college — a fresh start in an old setting.
My dissertation examined the interweaving of politics, religion, gender and music in relation to Iranian women singers. My focus was on the changes incurred by the revolution in 1979, which saw a dramatic shift from the modernising, Westernising stance held during the Pahlavi era (1925-1979) to the Islamic theocratic rule secured by Supreme Leader Khomeini.
As dominant attitudes towards religion and gender changed, legislation surrounding music, which Khomeini believed was ‘like a drug’, also transformed to correspond with Shari’a law. Under immense religio-political pressure, music largely retreated into the private sphere, with the notable exceptions of the revolutionary hymns and anthems played by the Tehran Symphony Orchestra, and the establishment of the annual Hymns and Revolutionary Music Festival in 1986. More specifically, the solo voice was thought to symbolise Western individualism and consumerism, antithetical to the revolutionary vision; and, furthermore, women’s voices were considered to make men think of things other than God. As a result, Iranian women singers were hit hard by the revolution, which appeared to present them with an ultimatum: either stop singing or leave their country.
We are excited to announce our brand spanking new Spotify playlists!
Our resident DJs, Emmanuel College lawyer Gee Kim and engineer Martha Dillon, are continuing to curate a series of playlists that celebrate the female voice in all its shapes and forms. From Japanese jazz to Brazilian bossa nova, from downtime to the dancefloor, the @cambridgegirltalk Spotify has got it all.
Following the Twitter backlash Donald Trump is facing over comments that his female staffers should ‘dress like women’, Alina Khakoo and Kitty Grady decided to take to the streets to ask Cambridge students and locals for their thoughts on gender and personality, dressing and comfort.
“I don’t think there is one particular way to ‘dress like a woman’. I make a lot of my own clothes so it’s when I’m wearing those that I feel most comfortable. I made this jumper, scarf and hat. I love it because I make clothes for my body and so they fit better. They’re so much more enjoyable to wear because I’ve made them myself.”
