Whether you’ve been exploring far flung places, lounging on the beach, cutting your teeth at an internship or just soaking up some post-term calm and recalibrating, we want to hear your summer stories.
Now accepting articles, fiction, art and photography, please email email@example.com with a brief introduction to your ideas – we can’t wait to hear from you!
Cambridge Girl Talk are looking for a group of enthusiastic self-identifying women to form our 2017-18 committee. Positions include Events Director (x2) Sponsorship Organiser, Social Media Co-ordinator, Blog Editor and Head of Visual. Please send a brief email to firstname.lastname@example.org introducing yourself, stating which role you are interested in and why before 25th June.
This week on ‘Grad Talk’ we’re chatting to Leaf Arbuthnot, who graduated from Magdalene in 2014 with a degree in French and Italian. Now a feature writer for the Sunday Times, here she discusses her life as a journalist, the perks of internships and why it’s ok if you don’t land your dream job as soon as you graduate.
Interview by Kitty Grady
So, what do you do now?
I’m a feature writer for the Sunday Times. I write interviews mostly but also general features, book reviews and occasional news pieces. I do new poetry collection reviews for the Times Literary Supplement and have written a novel, which has just won the Pageturner Prize and will (touch wood) be published next year. I’m about to start a book review show on Talk Radio and I do news shows for them quite regularly, running through the day’s top trending stories.
… and how did you get there?
I spent lots of my summers since I started at Cambridge interning in different newspapers and magazines to work out what sort of work environments I vibed with most. That was helpful in that it narrowed my options down – I realized I liked newspapers most of all, and wouldn’t thrive in monthly women’s magazines which have more languorous deadlines.
In terms of practical journalistic experience I did quite a bit at Cambridge – The Tab, the Cambridge Globalist, my own College’s magazine which I co-edited. I spent my year abroad at the École Normale Supérieure in Paris and wrote art exhibition reviews for a paper there.
I guess I tried to study hard enough to maintain decent grades while at Cambridge, which was instrumental in helping me to win the Henry Fellowship in my final year. It’s a scholarship that supports students who want to do a year at Harvard or Yale. At Yale I did some teaching, a broad range of classes and worked on its newspapers – focusing more on economics and making podcasts. After Yale I interned at the Financial Times then got a job at the Sunday Times, where I’ve been since August 2015.
The spotlight of this week’s instalment of Grad Talk is on Rhian Williams, who graduated from Jesus in 2016 with a degree in French and Spanish. Uniting her love of food and writing, Rhian started a blog in her final year of Cambridge which she now continues to work on post-Uni. Here she tells us about life without a 9-5, her entrepreneurial aspirations and what she’s learned about getting internships.
Interview by Kitty Grady
So, what do you do now?
I graduated less than a year ago, but I’ve already done lots of different things since then. I’ve worked at a local café, a healthy baby food start-up (which included a couple of days working in their factory in Wales), and I’ve also done some freelance writing. I left a job a few weeks ago, and am currently looking for something else, working on my food blog (www.rhiansrecipes.com) in the meantime.
Describe a typical day.
I’ll usually cook something during the day as I tend to test out at least a few recipes per week. I’ve recently started to work more on my food styling and photography, and taking decent photos takes quite a lot of time! In the evenings, I usually write blog posts, do blog-related admin like scheduling social media, as well as working on articles for the freelance writing I do.
‘[Although Architecture] may be seen to be rooted in pragmatism, it is a powerful and extraordinarily revealing expression of human psychology [reflecting the] ambitions, insecurities and motivations of those who build.’
– An extract from The Edifice Complex: An Architecture of Power
To me, The Edifice Complex by architectural critic Deyan Sudjic, beautifully explains the ways in which buildings throughout history – usually of a patriarchal, political or religious nature – have been carefully and often ruthlessly orchestrated to intimidate their guests. Rather than elaborate external symbols of power, subtle manipulations of architecture have been used to leave guests feeling ‘suitably intimidated.’ Although not reflecting the same ambitions, insecurities and motivations; I was interested in the themes explored in Sudjic’s writings and how they might be applicable to the analysis of many other building types and programmes. Characteristically, I chose to write my dissertation on Prada: an Architecture of Manipulation, and the ways in which luxury brands use architecture to manipulate consumers.
My dissertation examined the interweaving of politics, religion, gender and music in relation to Iranian women singers. My focus was on the changes incurred by the revolution in 1979, which saw a dramatic shift from the modernising, Westernising stance held during the Pahlavi era (1925-1979) to the Islamic theocratic rule secured by Supreme Leader Khomeini.
As dominant attitudes towards religion and gender changed, legislation surrounding music, which Khomeini believed was ‘like a drug’, also transformed to correspond with Shari’a law. Under immense religio-political pressure, music largely retreated into the private sphere, with the notable exceptions of the revolutionary hymns and anthems played by the Tehran Symphony Orchestra, and the establishment of the annual Hymns and Revolutionary Music Festival in 1986. More specifically, the solo voice was thought to symbolise Western individualism and consumerism, antithetical to the revolutionary vision; and, furthermore, women’s voices were considered to make men think of things other than God. As a result, Iranian women singers were hit hard by the revolution, which appeared to present them with an ultimatum: either stop singing or leave their country.
We are excited to announce our brand spanking new Spotify playlists!
Our resident DJs, Emmanuel College lawyer Gee Kim and engineer Martha Dillon, are continuing to curate a series of playlists that celebrate the female voice in all its shapes and forms. From Japanese jazz to Brazilian bossa nova, from downtime to the dancefloor, the @cambridgegirltalk Spotify has got it all.