By Kitty Grady
Hark! Christmastime is here, and Girl Talk’s yuletide celebrations are fully underway with our feminist holiday playlist. From Marika Hackman and Kate Bush to Dusty Springfield and Destiny’s Child, this is festive femininity at its shimmering best. A gift-wrapped present for your ears as you trudge through your final deadlines of the term, with old favourites and new gems to discover, you won’t even notice Michael Bublé’s missing.
The Girl Talk Christmas Mingle will take place from 7.30-11pm on Wednesday 29th November at Novi. Join us for mulled wine, festive cocktails, non-alcoholic alternatives, free mince pies as well as music and singing by the Gonville Girls. See our Facebook event page for more details.
By Kitty Grady
From calling out and speaking up to mansplaining and ‘calm down dear’, the dynamics of contemporary sexual politics are increasingly being defined through a schema of silence, speech and being heard.
Whilst historically the voices of women have been silenced or overpowered, with the recent spate of allegations against sexual harassment, today they appear to have reached a deafening crescendo. The #MeToo hashtag has been used tens of millions of times on Facebook and Twitter, harmonising with their counterparts #balancetonporc in French, #YoTambien in Spanish, وأنا_كمان# in Arabic and #quellavoltache in Italian.
With this proliferation of womens’ voices, leaps and bounds have been made against the structural oppression and institutional silencing of women in Hollywood, Westminster and the European Parliament. The literal and metaphorical noise made by so many courageous women jars with the guilty silence of sexual predators such as Weinstein, and the failure of response hashtag movements #IHave or #ItWasMe to properly get going.
In this clatter we are starting to hear every micro-instance of misogyny being called out. Hosting an episode of Have I Got News for You, Jo Brand silences the schoolboy giggles of her male panellists who scoff at women’s accusations against unwanted sexual behaviour: ‘these are hardly high-level crimes’, chortles Ian Hislop. Killing their ‘joke’, an unimpressed Brand calls them out, highlighting the in fact pernicious and grinding effect of such unsolicited treatment.
And long may this continue. Yet within this noise, it is also important to analyse the immense and insidious power women can gain through a pronounced, dignified and unadhering silence. Especially when speaking out doesn’t necessarily mean you are being heard.
Continue reading The Subversive Power of Female Silence
By Eleanor Pitcher
On bonfire night, as so many others did, I attended the annual fireworks display on Midsummer Common with my friends. It was an excuse to escape the library for a couple of hours, and enjoy one of the first events of winter. I’ve always loved fireworks – completely ignorant to the science behind them, I find them enticing and beautiful. Exploding in countless colours before an entirely black backdrop, they silence the rest of the world for a few minutes. It seems like nothing else really matters, nothing but the enthralling eruption of light and colour before our eyes.
That night, a friend’s comment resonated with me- as vibrant and, often, scary as fireworks might be, they are temporary, and in a few short minutes, the sky will return to a state of clear blackness with no record of their ever being there. It was week five, and I thought this analogy applied ever-too aptly to life at Cambridge.
Since arriving here, the ‘it’s not the be-all and end-all’ philosophy has kept me (mostly) sane and (hopefully) grounded when it comes to work and deadlines. I attempt to keep a level head (attempt being the operative word) and not slave away over pieces of work I don’t enjoy. However, when too many deadlines, duties and dramas all come to a head at once, it can feel like nothing else exists outside of our little stress- and panic-fuelled bubble. Especially mid-term, everything seems to erupt in one go. We know too well that this feeling of helpless dread and worry will fizzle out come week eight, but for now, nothing else matters. Just like fireworks, I suppose.
Continue reading At the End of Week Five: On fireworks and perspective
By Mishal Bandukda
In honour of Black History Month, FLY* hosts poet and filmmaker Victoria Adukwei Bulley for a screening of ‘Mother Tongues’; a series of films capturing mother-daughter interactions as poets from the African diaspora have their words translated from English into their native languages by the women who raised them. It features Victoria herself, alongside Theresa Lola, Belinda Zhawi, Tania Nwachukwu – and their mothers. Their words are translated from English into Ga, Yoruba, Igbo and Shona, respectively.
Before showing the films, Victoria explains why the versions of the poems in the mother tongues appear first, before the English recitations, by drawing on her own experiences of language:
“The project was born out of a need to connect with my own language, Ga, spoken by people historically based around Accra, in Ghana. I’ve heard it spoken around me since birth, yet don’t understand it. My parents wanted us to be fluent in English as a priority, to make it easier for us to – well, the nicer term is ‘integrate’, but I think a more realistic term would be – assimilate.”
Victoria expresses her sadness at not understanding Ga and her longing to reconnect with a language which is at once so intimately connected and foreign to her. In each of the short films, the mother’s translation of the poem is presented before the daughter reads her work in English. We experience that same sense that Victoria has described to us, as we hear the now rising, now falling, intonations of a foreign tongue, experiencing language for its sounds rather than its meanings. As the mothers recite, the camera-focus moves from gesturing hands, to smiling lips, pausing over a dangling earring. It’s beautiful to experience.
Continue reading ‘Mother Tongues’: A Review
By Leila Sackur and Juliette Simon
Inclusivity is at the heart of the ethos behind the genius The Man Presents: More Women, which has enjoyed a stellar run as the ADC Late Show this week. With a rotating cast of 16 performing on alternate nights, The Man Presents features a divine selection of women in comedy, all delivering character monologues which are stunning in their breadth and detail.
Continue reading Girl Talk Presents: ‘The Man Presents: More Women’
While many interpret working in anything remotely corporate as ‘selling your soul’, Law graduate Becca Naylor shows that there’s more to a traditional Law firm than meets the eye. Having always been passionate about human rights, Becca managed to make it the subject of her everyday professional life as a full-time Pro Bono associate and Reed Smith’s Pro Bono Manager across Europe, The Middle East and Asia. Snatching a moment in an international tour (of the Reed Smith offices), Becca speaks to Cambridge Girl Talk about serendipitous school talks, hockey, and her anything but ordinary professional life.
Interview by Xanthe Fuller
So, what do you do now?
I’m a pro bono lawyer at Reed Smith, I’m responsible for managing our pro bono work across Europe the Middle East and Asia. Pro bono is the free legal advice we provide to charities, non-profits and low income individuals. We work alongside amazing charities to support refugees, prisoners, victims of domestic violence and work on projects to combat human trafficking and female genital mutilation.
How did you get there?
Nick Yarris came to speak at my school when I was 16, he inspired me to study law. Nick was on death row for over 20 years before he was exonerated. I was shocked by this and other injustices. I started to follow the work of Clive Stafford Smith and Reprieve.
I went on to study law at university, applied for vacation schemes and training contracts and did the LPC in London. In the gap before starting my training contract I volunteered at Reprieve in their abuses in counter terrorism team, assisting with their work on Guantanamo Bay, drone strikes, and torture and rendition cases. I then started my training contract at Reed Smith and at the first opportunity went on our pro bono secondment to Liberty where I worked in their advice and information team. During my training contract the pro bono role became available and I applied for the job, I then did my training contract and the pro bono role for a year and when I qualified I became a full time pro bono lawyer.
Continue reading Grad Talk: Becca Naylor on a different kind of law